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It also indicates possibilities for future investigations, for example, using stimuli of other artistic productions, such as sculpture and music.
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The results reinforced the data obtained previously with colored pictures, suggesting that the process of emergent categorization involving artificial categories of paintings is robust. The participants’ performance suggests that the outcome was properly controlled by aspects pertinent to the paintings that belonged to each painter’s category. Finally, tests of relations between five trained and five untrained paintings of each artist and the printed names were conducted. Relations between each of the three abstract figures and the printed name of one of the painters were verified in sequence. The procedure consisted of the training of relations between each of the ten paintings and an abstract picture, for each of the three painters Botticelli, Monet, and Picasso. to investigate the establishment of emergent conditional relations between categories composed of black and white paintings and the names of their authors. To verify this possibility, the present study used the same methodology of Ferreira et al. However, the results of these studies suggest that the colors of the pictures may have played a preponderant role, obscuring other aspects of the stimuli that could be more directly related to the style of each painter.
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The emergent categorization involving paintings by renowned painters and their corresponding names was demonstrated by previous studies.